A serbian film clip
But money is running out, and maybe he misses the old days just a little bit, so when a mysterious filmmaker approaches him to get back in the game for one last large-paying gig, Milos takes the job. Milos is a retired Serbian porn star he now has a beautiful wife and a lovely young son, and is quite happy. Unfortunately the deeper issues might fly right over the heads of Westerners, rendering A Serbian Film nothing more than a softcore gore porn.
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#A SERBIAN FILM CLIP MOVIE#
A Serbian Film is about stuff, not just about being the movie that gorehounds use to test themselves (although it’s certainly become that). Transgression is serious business when done right, and while I didn’t find A Serbian Film to be completely effective, I’m happy to report that director Srdjan Spasojevic is doing his transgression right.
![a serbian film clip a serbian film clip](https://i2.wp.com/bloody-disgusting.com/wp-content/uploads/2017/05/Serbian_Film_05-1.jpg)
It's only fair that we look at both, because if art can't do that, then it simply becomes an echo chamber of our better natures, and the victims continue to scream, unheard, unloved, and unavenged.Usually when a movie is as well made as A Serbian Film while also being as over the top as A Serbian Film there’s a sense of juvenile envelope pushing - like the filmmakers are simply giggling at the idea of showing something more extreme than what has been shown before. We are capable of great beauty and wonder, and great evil and horror. But I would never, ever think to deny anyone the right to join the debate. If we are to truly understand the nature of our world, and ourselves, we must look under the rock in the field and see the insects beneath. Surely these horrible things can't happen in the real world, right? The filmmakers are just horrible people with sick fetishes, right?
#A SERBIAN FILM CLIP HOW TO#
They don't know how to react to what they're seeing with any kind of analytic thought, and so they must scream, like a baby for a bottle, begging to be comforted. But the idea that the film shouldn't be seen by adults who can handle it and make their own minds up is offensive I'm more offended than any Wal-Mart mother screaming "Think of the children!" could ever hope to be. The filmmakers of A SERBIAN FILM wanted to show the world just how bad it is out there, in a world where the haves consume and the have-nots suffer for it. The fact that there's apparently no depths of depravity and evil to which humanity can sink is something that should be discussed, and understood. But is it a taboo subject? Can't we talk about it, and deal with it? Perhaps the film puts us into the ugly reality of what we're seeing, and confronts us directly with it instead of talking around it like it's some Very Special Episode of Blossom or something. Undoubtedly, the film deals with child rape. If a case is filed against Sitges and Sala, we're in uncharted legal territory, with Sala possibly getting a jail sentence of up to a year, simply for showing this film where no actual child injury takes place. But apparently the prosecutor in Barcelona wants to throw the book at the festival and Sala, who didn't even make the film but simply showed it. The scene is not meant to arouse if you react in horror, congratulations, you're normal. It's suggested, for the most part, and I think suggestion in many ways is more effective than outright showing the horror because your mind fills in the blanks. From what I understand the most offensive scene (and the scene that has everyone up in arms) is done off camera. And the idea that the public prosecutor in Barcelona wants to charge the Sitges Film Festival, a world-renowned film festival of horror, science fiction, and fantasy films, and its director, Angel Sala, with exhibition of child pornography is offensive and angers me to the core. But I can't watch it.Īt the same time, the idea that the makers of the film are somehow morally corrupt people is absolutely ridiculous. I don't doubt that A SERBIAN FILM is important. But I have a personal threshold when it comes to this stuff, and so I take myself out of the argument. Drew McWeeny of and others have seen it and felt that it was an important film and worth discussing, and I agree with them. I don't dispute my peers' claims that A SERBIAN FILM is a film worthy of respect. You don't judge the audience, or the artist, even you judge the art, and the art alone. I also don't judge the people who've seen A SERBIAN FILM. I understand what context and theme mean. I don't have a problem with children in danger in film. I don't normally have a problem with gore (ordinarily it takes me right out of the movie because I know it's not real). I've seen some pretty heinous stuff on film, and stuff that's pushed my buttons. I'm a parent, and I know my limitations (which are quite high) when it comes to film. My peers have told me about the film, the subject matter, and how the film doesn't pull punches, and I've decided it isn't for me.
![a serbian film clip a serbian film clip](https://donttellnetflix.com/wp-content/uploads/2019/10/edM906NOM5WxaaAMeTsgDeqnBDr.jpg)
![a serbian film clip a serbian film clip](https://m.media-amazon.com/images/M/MV5BNTA4NzkzYmUtZGNiZS00MzgyLThlMzktMzFmMDM0ZjdkMTk2XkEyXkFqcGdeQXVyNjQzNTI5NTI@._V1_SY384_SX683_AL_.jpg)
I haven't seen A SERBIAN FILM, and honestly, I probably never will.